----- 让·热内的晚期剧作
List of figures Acknowledgements Part I Introduction 1. Genet and commitment: politics and aesthetics 2. Tracing the shift: the event of the wound 3. Aesthetic politics: staging the wound Part II 4. Exploding the bordello in The Balcony: spectacle, allegory and the wound of theatre 5. Detournement, abjection and disidentification in The Blacks 6. Bringing it all back home: 'The battle of The Screens' 7. Conclusion: Genet our contemporary Part III 8. Interview with Lluis Pasqual 9. Interview with JoAnne Akalaitis 10. Interview with Ultz 11. Interview with Excalibah Appendix 'Preface to The Blacks', trans. Clare Finburgh References Index
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