The first look at the philosophy behind the Iron Man comics and movies, timed for the release of Iron Man 2 in March 2010 On the surface, Iron Man appears to be a straightforward superhero, another rich guy fighting crime with fancy gadgets. But beneath the shiny armor and flashy technology lies Tony Stark, brilliant inventor and eccentric playboy, struggling to balance his desires, addictions, and relationships with his duties as the Armored Avenger. Iron Man and Philosophy explores the many philosophical issues that emerge from the essential conflicts found in the decades of Iron Man stories in comics and movies. What kind of moral compass does Tony Stark have? Is Iron Man responsible for the death of Captain America after the Marvel Universe “Civil War”? Should people like Stark run the world? How does Tony’s alcoholism impact his performance as Iron Man, and what does it say about moral character? Ultimately, what can Iron Man teach us about the role of technology in society? As absorbing as Iron Man comic books and movies, Iron Man and Philosophy: Gives you a new perspective on Iron Man characters, story lines, and themes Shows what philosophical heavy hitters such as Aristotle, Locke, and Heidegger can teach us about Tony Stark/Iron Man Considers issues such as addiction, personal responsibility, the use of technology, and the role of government Whether you've been reading the comic books for years or have gotten into Iron Man through the movies, Iron Man and Philosophy is a must-have companion for every fan.
The predominant view of moral virtue can be traced back to Aristotle. He believed that moral virtue must involve intellectual excellence. To have moral virtue one must have practical wisdom - the ability to deliberate well and to see what is morally relevant in a given context. Julia Driver challenges this classical theory of virtue, arguing that it fails to take into account virtues which do seem to involve ignorance or epistemic defect. Some 'virtues of ignorance' are counterexamples to accounts of virtue which hold that moral virtue must involve practical wisdom. Modesty, for example, is generally considered to be a virtue even though the modest person may be making an inaccurate assessment of his or her accomplishments. Driver argues that we should abandon the highly intellectualist view of virtue and instead adopt a consequentialist perspective which holds that virtue is simply a character trait which systematically produces good consequences.
Lynne Rudder Baker presents and defends a unique account of the material world: the Constitution View. In contrast to leading metaphysical views that take everyday things to be either non-existent or reducible to micro-objects, the Constitution View construes familiar things as irreducible parts of reality. Although they are ultimately constituted by microphysical particles, everyday objects are neither identical to, nor reducible to, the aggregates of microphysical particles that constitute them. The result is genuine ontological diversity: people, bacteria, donkeys, mountains and microscopes are fundamentally different kinds of things - all constituted by, but not identical to, aggregates of particles. Baker supports her account with discussions of non-reductive causation, vagueness, mereology, artefacts, three-dimensionalism, ontological novelty, ontological levels and emergence. The upshot is a unified ontological theory of the entire material world that irreducibly contains people, as well as non-human living things and inanimate objects.
Charles Griswold has written a comprehensive philosophical study of Smith's moral and political thought. Griswold sets Smith's work in the context of the Enlightenment and relates it to current discussions in moral and political philosophy. Smith's appropriation as well as criticism of ancient philosophy, and his carefully balanced defence of a liberal and humane moral and political outlook, are also explored. This 1999 book is a major philosophical and historical reassessment of a key figure in the Enlightenment that will be of particular interest to philosophers and political and legal theorists, as well as historians of ideas, rhetoric, and political economy.
Virtue amidst Vice represents an attempt to probe a relatively obscure portion of a relatively obscure New Testament document. 2 Peter reflects a social setting that presents a most daunting pastoral challenge. The danger confronting the Christian community is a lapse in ethical standards and a return-whether by mere forgetfulness or in wholesale apostasy-to the former way of life. 2 Peter's prophetic and paraenetic response borrows from the moral grammar of contemporary moral philosophers in exhorting the readers to recall-and validate through virtuous living-the faith they have received. The theme of the moral life runs throughout 2 Peter, with the various components of the author's literary arsenal subordinated to this thematic development. It is the function of the catalogue of virtues (1.5-7) both to introduce and to anchor the author's call to repel moral scepticism and reinvigorate the moral life.
Reality television is continuing to grow, both in numbers and in popularity. The scholarship on reality TV is beginning to catch up, but one of the most enduring questions about the genre-Is it ethical?-has yet to be addressed in any systematic and comprehensive way. Through investigating issues ranging from deception and privacy breaches to community building and democratization of TV, The Ethics of Reality TV explores the ways in which reality TV may create both benefits and harms to society. The edited collection features the work of leading scholars in the field of media ethics and provides a comprehensive assessment of the ethical effects of the genre.
A philosophical look at heavy metal's dark masters of reality, Black Sabbath Black Sabbath is one of the world's most influential and enduring rock bands. Dubbed "the Beatles of heavy metal" by Rolling Stone, they helped to define a genre with classic songs like "Paranoid", "Iron Man", and "War Pigs", songs whose lyrics reveal hidden depth and philosophical insight. Their songs confront existential despair, social instability, political corruption, the horrors of war, and the nature of evil. This book explores the wide range of profound ideas in the band's music and lyrics to help you understand Black Sabbath as never before. Discusses and debates essential Black Sabbath topics and themes, such as the problem of evil, "War Pigs" and the nature of just war theory, whether or not Sabbath is still Sabbath without Ozzy, and whether "evil is in the ear of the beholder" Gives you new perspectives on Black Sabbath's music and lyrics Provides a deeper appreciation and understanding of Ozzy Osbourne, Tony Iommi, Geezer Butler, Bill Ward, and Ronnie James Dio Brings some of history's heaviest thinkers to bear on the band's music, from Aristotle and Nietzsche to Schopenhauer and Marx So . . . can you help me, occupy my brain? Yes! Start reading Black Sabbath and Philosophy.
This innovative volume argues that flourishing is achieved when individuals successfully balance their responsiveness to three kinds of normative claim: self-fulfilment, moral responsibility, and intersubjective answerability. Applying underutilised resources in existential phenomenology, irene mcmullin reconceives practical reason, addresses traditional problems in virtue ethics, and analyses four virtues: justice, patience, modesty, and courage. Her central argument is that there is an irreducible normative plurality arising from the different practical perspectives we can adopt - the first-, second-, and third-person stances - which each present us with different kinds of normative claim. Flourishing is human excellence within each of these normative domains, achieved in such a way that success in one does not compromise success in another. The individual virtues are solutions to specific existential challenges we face in attempting to do so. This book will be important for anyone working in the fields of moral theory, existential phenomenology, and virtue ethics.
Philosophy, not theology and religion, is the writer's quest; and an argument on God and crea tion is introduced only for the sake of philosophy, which required it as a condition of intellectual continuity and final unity of conception. As it is a beautiful custom for authors in their preface to designate the sources and lines of light Whence their own radiance, which might not else be clearly seen in some cases, the present writer wishes to say that he is indebted to all thinkers who have gone before him, both the known and the (to him) great unknown; and he sincerely thanks them for their inestimable benefactions, of the value of which to him, as indicated in this volume, he invites the philosophic public to judge, if it can find time, now or in the future.
BY Intuitive Perception we behold Realities. The Philosophy which maintains and unfolds this, has been called Natural Realism.
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