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Je ne suis pas de ceux qui n'aiment pas les préfaces. La préface de la vie, c'est la jeunesse. La préface de l'amour, c'est ce qu'il y a de plus charmant dans l'a mour après la postface. Les femmes sont des romans dont Je ne te conseille que la préface, ami lecteur. La préface d'un livre, c'est le secret du sphinx. Qu'est-cc qu'un sphinx qui a dit son secret? Qu'est — cc qu'un coeur à son dernier mot?
The Anglo-Irish war of 1919-1921 was an international historical landmark: the first successful revolution against British rule and the beginning of the end of the Empire. But the Irish revolutionaries did not win their struggle on the battlefield - their key victory was in mobilising public opinion in Britain and tworld. Journalists and writers flocked to Ireland, where the increasingly brutal conflict wcrucible for settlikey issues of the new world order emerging from the ruins of the First World War. On trial was the British Empire's claim to be the champion of civilisation principle of self-determination proclaimed by the American president Woodrow Wilson."The News from Ireland" vividly explores the work of British and American correspondents in Ireland as well as other foreign journalists and literary figures. It offers a penetrating and persuasive assessment of the Irish revolution's place in a key moment of world history role of the press and journalism in the conflict.This important book will be essential reading for anyone interested in Irish history and how our understanding of history generally is shaped by the media.
In writing this tract I have dared to believe that many things were pos sible because of the personal example offered to all who practice journalism by Mr. C. P. Scott, for over forty-five years editor-in-chief of the Manchester Guardian. In the light of his career it cannot seem absurd or remote to think of freedom and truth in relation to the news.
"If political advertising did not exist, we would have to invent it," writes Katherine Hall Jamieson in her widely praised study, Packaging the Presidency. Now in a new third edition, Jamieson expands her authoritative analysis of political advertising, looking at the media campaigns of American presidents from the early days of the republic to the successful 1992 Clinton campaign. Chronicling the evolution of the campaign ad from political songs and slogans through handbill and newspaper cartoon to radio and television coverage, an argument emerges that is subtle but persuasive: though often equivocal, and even downright sleazy, political advertising is vital in reminding voters of the choices at the heart of democracy. Much of the book, appropriately, focuses on the powerful media campaigns of the post-war period. In individual chapters devoted to presidential campaigns since 1952, the claims of media strategists, campaign memos, and journalists frame discussions on the impact of candidates from Adlai Stevenson, Richard Nixon, John F. Kennedy, and Ronald Reagan to the country's more recent high-profile and media savvy candidates such as Ross Perot and Bill Clinton. This new edition covers such issues as the new forms of exposition due to increased access created by cable that so powerfully impacted the 1992 campaign. The wide variety of venues, including MTV and the Nashville Network, coupled with almost daily appearances on morning talk shows, afforded candidates the ability to reach audiences by the millions in "news-ads" that served as free extended commercials. Jamieson points out the success of Ross Perot's unconventional revival of the thirty-minute program spot, an important innovation that reflected both the power of modern-day "infomercial" and marked a radical change in political strategist's ideas of the viewing electorates response to longer forms of candidate sponsored communication. In turn, Jamieson addresses the increasing prevalence of "adwatchs," in which the press policies the fairness and accuracy of campaign accusations, offering the public a greater opportunity of assess the claims made in political ads, as well as opponents the enhanced ability to use news corrections in counter ads. And we see how campaign intrigue reached a new high with satellite tracking that allowed candidates to capture copies of ads as they went on the air. "We would put ads on the satellite that we weren't going to run," recalls Clinton campaign manager James Carville, "just to freak them out. Fake spots, so they would have to put some time and money together and respond to it." it went on the air. Just as political advertising is neither as innocent or invidious as it is frequently described, voters are more independent than cynics (and perhaps political advertisers) would like to believe. And as we approach the twenty-first century, with the cloak of television shadowing the country, voters are becoming increasingly more informed. As this fine study convincingly demonstrates, the successful "packaging" of presidents is a complex, and far from automatic, process.
Rutherford shows how politics, social behaviour, and public morals have become subject to the philosophy and discipline of marketing.
Exploringfiction, film and art from across the USA, South America, Asia, Europe and Australia, New Suburban Stories brings together new research from leadinginternational scholars to examine cultural representations of the suburbs, hometo a rapidly increasing proportion of the world's population. Focussing inparticular on works that challenge conventional attitudes to suburbia, the bookconsiders how suburban communities have taken control of their ownrepresentationto tell their own storiesin contemporary novels, poetry, autobiography, cinema, social media and publicart tell the story of how suburban.
In the context of profound transformations in the professional, business, technological and social context of journalism, it is crucial for journalism studies and education to move beyond limited approaches to the discipline. Among the most significant changes affecting journalism worldwide is the emergence of startup culture, as more and more journalists strike out on their own. In Beyond Journalism, Deuze and Witschge combine extensive global and comparative fieldwork. Through rich case studies of journalism startups around the world, they provide deep insight into the promises and pitfalls of media entrepreneurship. Ultimately, they aim to recognize new and emerging voices as legitimate participants in the discourse about what journalism is, can be and should be. A bold manifesto as well as an in-depth empirical study, this book is essential reading for students and scholars of journalism, media, communication, and related disciplines.
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