----- 空间关系。卷二:“散文,评论,评论和志”
AcknowledgementsJohn Kinsella wishes to thank the University of Western Australia, where he is a Professorial Research Fellow.A warm debt of gratitude is owed to Dennis Haskell and the Westerly Centre.Special thanks go to Rod Mengham, Philip Mead, Peter Pierce, and my editor, Gordon Collier.And as always, special thanks to Tracy Ryan, to whom I [and Gordon; Ed.] dedicate these volumes.John Kinsella wishes to acknowledge that his references to Indigenous literature, knowledges, and place are subjective, and that readers wishing to inform themselves better of the issues discussed should consult the increasingly wide and always rich body of knowledge and information published by Indigenous authors. Further, for specific information relating to specific places, Indigenous people, especially elders, should be consulted, and dialogue entered into. I have done this where possible, and with enthusiasm, belief, and commitment. Further, I wish to acknowledge and pay my respects to the traditional custodians of the land I write, and signal my gratitude for my living on and moving through traditional lands.My appreciation to Alvin Pang and Ethos Books (Singapore) for allowing his coauthored piece to feature here. And thanks to Ouyang Yu for permission to republish my pieces in this volume. Special thanks to Chris Hamilton-Emery at Salt Publishing and to Clive Newman, Ray Coffey, and Georgia Richter at Fremantle Arts Centre Press.And special thanks to the University of Queensland Press, Vehicule Press, and my various editors at newspapers and journals over the years, and also to Niall Lucy."Groups and mavericks" appeared in briefer form in The Cambridge History of Australian Literature, ed. Peter Pierce (Cambridge, New York & Melbourne: Cambridge University Press, 2009): 473-97.The essay "Randolph Stow (1935-2010): An Introduction to His Poetry" was commissioned by Fremantle Press, Western Australia in 2012 to introduce The Land's Meaning: new selected poems of Randolph Stow and is reproduced in the present essay collection by arrangement with the Press.Much expanded in the present book are the "Introduction" and section notes to the Penguin Anthology of Australian Poetry, ed. John Kinsella (Camberwell, Victoria: Penguin, 2009): 1-13.Many thanks to Carcanet for the "Introduction" to Judith Wright, A Human Pattern: Selected Poems (1990; Manchester: Carcanet, 1992): xvii-xxvii.Reprinted by courtesy of Signal Editions/Vehicule Press (Montreal): the "Introduction" to George Ellenbogen, Morning Gothic: New and Selected Poems, ill. Helene Leneveu & Irving Ellenbogen (2007).Most of the remaining pieces in this volume appeared under the following imprints, to all of which thanks.American Book Review Journal of Commonwealth LiteratureArc Publications KunappipArs Interpres LimelightArtes The Long Poem NewsletterArtful Dodge MAcmillanAustralian Literary Review Manhatten ReviewAustralian Book Review Midwest TimesThe Australian 's Review of Books Notre Dame ReviewBBC Radio The ObesrverBBC3 OtherlandBloodaxe Overland)Blue Dog Poetyry ChicagoBrandi & Schlesinger Poetry ReviewCarcanet Saly PublichingCraftsman House SemtextDenver Quarterly SigloEthos Books (Singapore) SouthweerlyFolio/Salt The SpolkesmanFremantle Arts Centre Press Sunline PressFremantle Press Sydney Morning HeraldFremantle Arts ReviewThumbscrewFulcrum TumrowThe Guardian Univeristy of Queenslands PressHeaventree Press Vehicule PressHeria Publishing W.W. NortonIndigo The Wsest AustralianIsland The WolfIntroduction- Opinion -Whenever I read the word 'vegan', I idly imagined a humanoid creature out of Close Encounters of the Third Kind (is there a star called Vega?) in syncretistic combination with some New Age adherent feasting on veggies. â¦
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