----- 哥特式的多元文化:美国文学小说中想象的风格
Acknowledgements Introduction: Pathways, Bearings 1. A Darkness Visible: Gothic and the Case of Charles Brockden Brown 2. Making History, Making Fiction: Cooper's The Spy 3. Impudent and Ingenious Fiction: Poe's The Narrative of Arthur Gordon Pym of Nantucket 4. Like a Dream Behind Me: Hawthorne's "The Custom-House" and The Scarlet Letter 5. The Mirrors of Biography, The Mirrors of Fiction: Henry James' Hawthorne 6. Moby-Dick as Anatomy 7. Voices Off, On, and Beyond: Ventriloquy in The Confidence-Man 8. Stephen Crane's The Red Badge of Courage: The Novella as Moving Box 9. Hell's Loose: Apocalypse in the Early and Modern African American Novel 10. Woman's Place? The Landscapes of Jewett, Chopin, Cather, Hurston, Welty, Chavez, Yamashita, Silko 11. Odd Man Out? Henry James, The Canon and The Princess Casamassima 12. Watching Manners: Martin Scorsese's The Age of Innocence, Edith Wharton's The Age of Innocence 13. A Quality of Distortion: Imagining The Great Gatsby 14. Everything Completely Knit Up: Seeing For Whom the Bell Tolls Whole 15. Modernist Faulkner? A Yoknapatawpha Trilogy 16. The View from the Rear Window: The Fiction of Cornell Woolrich 17. Richard Wright's Inside Narratives 18. Violence Become a Form: The Novels of Chester Himes 19. Flunking Everything Else Except English Anyway: Holden Caulfield, Author 20. The Place We Have Come To: The Late Fiction of Robert Penn Warren 21. Harlem on My Mind: Fictions of a Black Metropolis 22. Down Home: Mapping The South in Contemporary African American Fiction 23. I Am Your Worst Nightmare: I Am an Indian with a Pen - Fictions of the Indian, Native Fictions Index
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