----- Farocki/戈达尔:电影作为理论
This book brings together two major filmmakers—german avant-gardist harun farocki and french new wave master jean-luc godard—to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create “film as theory.”
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