Ostrannenie —— On Strangeness" and the Moving Image - The History, Reception, and Relevance of a Concept"

----- 奥斯特兰妮。关于“陌生”和运动图像。概念的历史、接受和相关性

ISBN: 9789089640796 出版年：2009 页码：281 Amsterdam University Press

Ostrannenie (鈥榤aking it strange鈥? has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the 鈥楻ussian Formalist鈥?Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of diff茅rance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. European Film Studies 颅 鈥楾he Key Debates is a new film series from Amsterdam University Press edited by Annie van den Oever (the founding editor), Ian Christie and Dominique Chateau. The editors鈥?ambition is to uncover and track the process of appropriation of critical terms in film theory in order to give the European film heritage the attention it deserves. With contributions from Ian Christie, Yuri Tsivian, Dominique Chateau, Frank Kessler, Laurent Jullier, Mikl贸s Kiss, Annie van den Oever, Emile Poppe, L谩szl贸 Tarnay, Barend van Heusden, Andr谩s B谩lint Kov谩cs, and Laura Mulvey, this important study is a wonderful piece of imaginative yet rigorous scholarship.