----- 集体创造性:科学,文化和艺术的共同工作
Acknowledgements Gerhard Fischer and Florian Vassen: Introduction. Collective Creativity: Traditional Patterns and New Paradigms Historical and Theoretical Reflections on Creative Collaboration Rolf G. Renner: Subversion of Creativity and the Dialectics of the Collective David Roberts: From the Cultural Contradictions of Capitalism to the Creative Economy: Reflections on the New Spirit of Art and Capitalism Annette Vowinckel: Is Simulation a Collective Creative Practice? Gerd Koch and Sinah Marx: Collective Creative Processes in Behavioural Studies: Community Theatre as an Agency of Political Research and Action Peter F. N. Horz and Marcus Richter: Old Know-how for New Challenges: East Germans and Collective Creativity? Two Anthropological Case Studies The Caesura around 1800: Collectivity and Individuality Franz-Josef Deiters: From Collective Creativity to Authorial Primacy: Gottsched's Reformation of the German Theatre from a Mediological Point of View Gabriele Fois-Kaschel: Synergetic Art Production: Choreography in Classical and Neo-classical Discourse on Performative Arts Susanne Ledanff: Kindred Spirits: Collective Explorations of Individuality in the Classical Period (Goethe, Schiller, Wilhelm von Humboldt) Alan Corkhill: Keeping it in the Family? The Creative Collaborations of Sophie and Dorothea Tieck Axel Fliethmann: Vision around 1800: The Panorama as Collective Artwork Visual Arts, New Media and Internet Danny McDonald, Katherine McDonald and Gavin Lambert: DEXA-Dan: Embedding the Corporeal Body Janet Chan, Roanna Gonsalves and Noreen Metcalfe: Bridging the Two Cultures: The Fragility of Interdisciplinary Creative Collaboration Annette Hamilton: Neo Rauch: Post-socialist Vision, Collective Memories Tara Forrest: Creative Co-productions: Alexander Kluge's Television Experiments Roman Marek: Creativity Meets Circulation: Internet Videos, Amateurs and the Process of Evolution Collective Writing Thomas Ernst: From Avant-Garde to Capitalistic Teamwork: Collective Writing between Subversion and Submission Christiane Weller: Travelling Companions: Cook's Second Voyage in the Writing of Georg and Johann Reinhold Forster Alison Lewis: The Romancing of Collective Creativity: The 'Bitterfelder Weg' in Brigitte Reimann's Letters and Diaries Stefanie Kreuzer: Intertextuality as Mandatory Collective Creativity? Textual Interconnection in Klaus Hoffer's Novel Bei den Bieresch Christopher Kelen: Community in the Translation/Response Continuum: Poetry as Dialogic Play Collectivity and Theatre Arts Florian Vassen: From Author to Spectator: Collective Creativity as a Theatrical Play of Artists and Spectators Ulrike Garde: Spotlight on the Audience: Collective Creativity in Recent Documentary and Reality Theatre from Australia and Germany Meg Mumford: Fluid Collectives of Friendly Strangers: The Creative Politics of Difference in the Reality Theatre of Rimini Protokoll and Urban Theatre Projects Gunther Heeg: Transcultural Gestures: Collective Engagement in Theatre, Practice of Separation and Intermedial Crystallizations Appendix Gerhard Fischer: Call for Papers: The Sydney German Studies Symposium 2009 Contributors
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