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Cognitive Grammar in Literature.

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1. List of contributors 2. Acknowledgements 3. Foreword (by Langacker, Ronald W.) 4. Chapter 1. Introduction: Cognitive Grammar in literature (by Harrison, Chloe) 5. Chapter 2. War, worlds and Cognitive Grammar (by Stockwell, Peter) 6. Chapter 3. Construal and comics: The multimodal autobiography of Alison Bechdel's Fun Home (by Pleyer, Michael) 7. Chapter 4. Attentional windowing in David Foster Wallace's 'The Soul Is Not a Smithy' (by Harrison, Chloe) 8. Chapter 5. Resonant metaphor in Kazuo Ishiguro's Never Let Me Go (by Browse, Sam) 9. Chapter 6. Constructing a text world for The Handmaid's Tale (by Nuttall, Louise) 10. Chapter 7. Point of view in translation: Lewis Carroll's Alice in grammatical wonderlands (by Tabakowska, Elzbieta) 11. Chapter 8. Profiling the flight of 'The Windhover' (by Neary, Clara) 12. Chapter 9. Foregrounding the foregrounded: The literariness of Dylan Thomas's 'After the funeral' (by Paivarinta, Anne) 13. Chapter 10. Conceptual proximity and the experience of war in Siegfried Sassoon's 'A Working Party' (by Giovanelli, Marcello) 14. Chapter 11. Most and now: Tense and aspect in Balint Balassi's 'Aldott szep punkosdnek' (by Pincombe, Mike) 15. Chapter 12. Fictive motion in Wordsworthian nature (by Yuan, Wenjuan) 16. Chapter 13. The cognitive poetics of if (by Hamilton, Craig A.) 17. Chapter 14. Representing the represented: Verbal variations on Vincent's Bedroom in Arles (by Kwiatkowska, Alina) 18. Afterword: From Cognitive Grammar to systems rhetoric (by Oakley, Todd) 19. References 20. Index

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