----- 印尼当代电影:过去的改革精神和鬼
This dissertation is about film as a social practice within the shifting political and cultural frames of the Indonesian nation. It explores historically emergent forms of representation and imagination of communities in the Indonesian audio-visual mediascape, and addresses the impact of discourses and film mediation practices on the production of collective identities and social realities. The account ranges from discourses on idealized Indonesian identities in television and film discourses under President Soehartoâs New Order regime, to a topsy-turvy heated debate about the representation of the Indonesian nation and the social and daily-lived realities of the people in film and on television during the era of Reform, up to 2007
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