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Lessing`s Laocoon: An Essay on the Limits of Painting and Poetry (1766) represents a turning point in 18th c. aesthetics. This volume offers detailed presentations about the productive openness of this "irregular collectanea." Lessing does not intend to propose a systematic aesthetics, but rather to present a "fermenta cognitionis" that, in its totality, offers a panoramic view of the problematics of aesthetics and art history in his time.
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