This book confronts the singularity of the relationship between two exemplary writers of the last century in order to challenge and to reinvigorate our notions of what art and criticism â literary or otherwise â can do. While it takes Roland Barthesâs encounters with Marcel Proustâs monumental masterpiece A la recherche du temps perdu as its specific focus, the implications of its argument are far-reaching. Indeed, the book argues that Barthesâs writing on Proustâs work between the early 1950s and 1980 (including a substantial set of unpublished notes for a series of seminars delivered at the University of Rabat in 1969â1970) proposes not only a critical culture of Proust that is productively inconsistent, but also, more generally, a fresh understanding of criticism as a creative activity that embraces insecurity and variation as it refuses to remain fixed upon reassuringly stable themes, meanings and interpretations.
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