----- 伪造模拟纪录片和对事实的颠覆
Introduction: Mock-documentary and the subversion of factuality 1. Factual discourse and the cultural placing of documentary 2. Recent transformations of the documentary genre 3. A cousin for the drama-documentary: Situating the mock-documentary 4. Building a mock-documentary schema 5. A suggested genealogy 6. Degree one: parody 7. Degree two: critique and hoax 8. Degree three: deconstruction Conclusion Filmography Bibliography Index
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