----- 英国文学与古典音乐:1870-1945年的文化环境
Introduction: Approaches to Classical Music in British Literature, 1870-1945: Theory and Practice 1. The Liberalization of Music in Aesthetic Literature: Pater and Oxford 2. Modernism's Distinctive Musical Rhetoric: Eliot, Huxley, and Woolf 3. The Musical Refinement of the Lower-Middle and Working Classes: Bennett, Lawrence, and their Contemporaries 4. Distinguishing a Musical Homoeroticism: Pater, Forster, and Their Aesthetic Descendants 5. Classical Music, Cosmopolitanism, and War: From Authors to Audiences Conclusion: A Literary Coda: Classical Music in British Literature Works Cited Index
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