Acknowledgments Introduction 1. For A Critique of Philosophy Introduction 1.1. The Lesson of Althusser 1.2. The Lessons of May 1.3. Lessons From the Archives 1.4. Lessons on Philosopher-Kings 1.5. Lessons From Equality Conclusion 2. Politics By Process of Elimination Introduction 2.1. On the Terrain of Policed Consensus 2.2. The Aesthetics of Counting 2.3. Supposing, Verifying, and Demonstrating Equality 2.4. Disputing Subjects and Litigious Objects: Politics as Dissensus 2.5. The Subjective Process of Politics Conclusion 3. Retrieving the Politics of Aesthetics Introduction 3.1. Analyzing the Part of Art 3.2. Three Regimes of Art 3.3. Equality in Art 3.4. In Place of Modernity 3.5. Against Postmodernity 3.6. Art as Dissensus Conclusion 4. Regimes of Cinema Introduction 4.1. A Historical Poetics of Cinema 4.2. Cinema, the Dream of the Aesthetic Age 4.3. The Logic of the Thwarted Fable 4.4. Allegories of Modernity: Deleuze and the Use of Hitchcock 4.5. Cinema and Its Century: Godard and the Abuse of Hitchcock Conclusion 5. Beyond Ranciere Introduction 5.1. Sensing Equality? 5.2. The Centrality of the Imagination 5.3. Inventing the Trans-Subjective Imagination Conclusion Notes Bibliography Index.
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