----- 文艺复兴时期的风格:近代早期英格兰的语言和思想
Acknowledgements Introduction: In the Beginning was the Word Chapter One: Constructing Plausible Stories: Ideology, Conceptual Integration Theory and the Politics of Representation in George Herbert's 'JESU' Chapter Two: 'A Deed Without a Name': Murder and the Linguistics of Agency in Shakespeare's Macbeth Chapter Three: 'Bit-Part' Actors: Metonymy in Thomas Middleton and William Rowley's The Changeling Chapter Four: Picturing Words: Ekphrasis and the Word-as-Image in Early Modern Poetry Conclusion: 'Being Nothing': The value of the W/word Notes Bibliography Index
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