----- 卢斯 里加
Introduction, Michael Worton (UCL, UK) Part I: Luce Irigaray: Teaching 1. Teaching How to Meet in Difference 2. The Return 3. Listening, Thinking, Teaching Part II: The Relationship with the Mother and a Female Genealogy 4. Motherhood, Mayhem and Madness 5. The Ritual of Funeral in Female Genealogy 6. Feminine Generations: The Maternal Order and Mythic Time 7. Swallowing Ice: A Study of Mothers and Daughters in Dacia Maraini's L'eta del malessere and Colomba 8. Speaking in Tongues: A Woman Articulating Gender Violence in Southern Africa Part III: The Specificity of a Sexuate Art 9. But What if the Object Started to Speak?: Creating a Culture of Two On-Screen 10. Touching Hands, Cultivating Dwelling 11. On Rivers, Words, and Becoming Other: The Importance of Style in Luce Irigaray's Work 12. The Perspective of Being Two in Architecture 13. Music and the Voice of the Other: An Engagement with Irigaray's Singing and Feminine Artistic Musical Performance Part IV: Reopening the Horizon of Spirituality and Religion 14. Sharing Air: Becoming Two in the Spirit 15. The Literary Creativity of Femal Mystics 16. Vestibular Virgins 17. A Future Shaped by Love: Towards a Feminist Geography of Development and Spirituality 18. The Power to Love without Desiring to Possess: Feminine Becoming Through Silence in the Texts of Antonia While Section V: Philosophy 19. Masculine and Feminine Approaches to Nature 20. Expression and Speaking-With in the Work of Luce Irigaray 21. A Review of Bioethics and the Work of Luce Irigaray.
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