----- 神圣与世俗音乐:后殖民主义方法
How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap. Table of contents: 1. Alaap, Introduction 2. Postcolonial Musicological Present 3. Sacred:Classical:Clessicul 4. Crafting Kirtan 5. Saying Qaul, Being Qawaal, Singing Qawwali 6. Drumming Devotion 7. Finale Bibliography Glossary
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