----- 克里斯托弗·施林格塞夫:上演混乱,表演政治和戏剧幻影
This is the first book to focus specifically on the late all-round German artist Christoph Schlingensiefâs theatre work, which subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art. The book proposes the pluralistic concept of the phantasmagoria as a means to decoding Schlingensiefâs unique theatrical vision and examines how it achieves its political radicality, yet retains a critical ambivalence in regard to an explicitly political intention. Key questions such as how his theatre functions as a provocation, and how an artist can insert themselves into the powerful flows of imagery produced by the perpetual global news cycle, form a coherent line of enquiry throughout each of the chapters. The significance of Schlingensiefâs artistic legacy of politicized theatre-making that pioneers new modes of active, aesthetic and public engagement in the political realm remains pertinent to topical socio-political debates and is of relevance to an international audience across a diversity of disciplines.
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