----- 电影时间:批判,历史,理论
Acknowledgments Notes on Contributors Preface PART ONE: CRITICISM Shadow Play and Dripping Teat: The Night of the Hunter (1955) T.Gunning Between Melodrama and Realism: Under the Skin of the City (2001) L.Mulvey Internalising the Musical: The Band Wagon (1953) A.Klevan The Visitor's Discarded Clothes in Theorem (1968) S.Bruzzi Style and Sincerity in Quentin Tarantino's Kill Bill: Vol. 2 (2004) J.Walters The Moves: Blood (1989) A.Martin The Properties of Images: Lust for Life (1956) S.Neale Two Views Over Water: Action and Absorption in Ingmar Bergman's Wild Strawberries (1957) E.Gallafent Making an Entrance: Bette Davis's First Appearance in Jezebel (1938) M.Shingler A Narrative Parenthesis in Life is Beautiful (1997) D.Thomas The End of Summer: Conte d'ete (1996) J.Leigh Enter Lisa: Rear Window (1954) D.Pye Opening Up The Secret Garden (1993) S.Smith A Magnified Meeting in Written on the Wind (1956) S.Peacock 'Everything is connected, and everything matters': Relationships in I [heart] Huckabees (2004) J.Gibbs The Ending of 8 A (1963) R.Dyer PART TWO: HISTORY Haptic Vision and Consumerism: a Moment from Fritz Lang's Siegfried (1924) T.Elsaesser Visions of Sound: City Lights (1931) C.Barr 'Entertainment and dystopia': Maurice Chevalier Performs Avec le sourire (1936) T.Brown Music, Crime and the Gaze: La Bete humaine (1938) G.Vincendeau Thunder and Lightning: Gone with the Wind (1939) and the Logic of Synchronisation R.Altman Hearing, Fearing: the Sonic Design of Suspense in Cat People (1942) H.Hanson 'I've seen him take his knife!': The Searchers (1956) R.J.Ellis Another Story: Myth and History in Bonnie and Clyde (1967) P.Cook A Sculptural Moment: the Epilogue to Les Deux Anglaises et le Continent (1971) M.Broughton Star Wars (1977): Back and Forth in Time and Space J.Bignell Between Freedom and Confinement: Music in The World (2004) C.Gorbman PART THREE: THEORY Performance, with Strings Attached: Team America's (2004) Snub to the Actor A.Clayton Aeloge de l'amour (2001): Moments in Time A.Butler Contested Endings: Interpreting The Piano's (1993) Final Scenes B.Klinger Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994) E.Cowie Stepping Out of Blockbuster Mode: the Lighting of the Beacons in The Lord of the Rings: The Return of the King (2003) K.Thompson Dorothy's Dream: Mindscreen in The Wizard of Oz (1939) B.F.Kawin Looking On and Looking the Other Way: Hotel Rwanda (2004) and the Racialised Ethics of Spectatorship M.Aaron Working Through the Body: Textual-Corporeal Strategies in United 93 (2006) L.Purse 'I wasn't expecting that!': Cognition and Shock in Alien's (1979) Chestburster Scene J.Frome The Inflection of a Dream in Scarlet Street (1945) G.M.Wilson Judy's Plan: a Reading of the 'Flashback' Sequence in Vertigo (1958) W.Rothman Index
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