Introduction 1. Schoenberg, history, trauma? 2. Schoenberg as Christ 3. Otto Weininger, Richard Wagner and musical discourse in turn-of-the-century Vienna 4. Schoenberg and Wagnerian Deutschtum 5. Compositional innovation and the redemption of Ahasuerus 6. Woman and the symbolism of self-redemption 7. Re-reading Schoenberg's Musical Idea 8. Coda: changing history into memory Appendix. 'Every young Jew'.
{{comment.content}}