Introduction: print culture, the humoral reader, and the racialized body 1. Genealogy and race in post-Constantinople Romance: from The King of Tars to Tirant lo Blanc and Amadis de Gaula 2. The form and matter of race: Heliodorus' Aethiopika, hylomorphism, and neo-Aristotelian readers 3. The conversion of the reader: Ariosto, Herberay, Munday, and Cervantes 4. Pamphilia's black humor: reading and racial melancholy in the Urania.
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