In this book, rachel zuckert provides the first overarching account of johann gottfried herder's complex aesthetic theory. She guides the reader through herder's texts, showing how they relate to eighteenth- and nineteenth-century european philosophy of art, and focusing on two main concepts: aesthetic naturalism, the view that art is natural to and naturally valuable for human beings as organic, embodied beings, and - unusually for herder's time - aesthetic pluralism, the view that aesthetic value takes many diverse and culturally varying forms. Zuckert argues that herder's theory plays a pivotal role in the history of philosophical aesthetics, marking the transition from the eighteenth-century focus on aesthetic value as grounded in human nature to the nineteenth-century focus on art as socially significant and historically variable.
{{comment.content}}