Rain machines; alarmed kosher pickwith gemstones; repliboxes; 'disco decor'; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that amuseum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast array of sculptural work made between 1954 and 1987 - a perilong before the first Pop paintings ayear of his death. In 3D Warhol, Thomas Morgan Evans argues that Warhol's engagement with sculpture, and traditional notions of sculpture, produced 'trespasses', his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social sites of investitute (or territories). This groundbreaking, originto the forefront a major, but overlooked aspect of Warhol's oeuvre, providing an essential new perspective on the artist's legacy.
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