Acknowledgements Introduction 1. 'Music of the future'? The nature of the Wagnerian inheritance 2. 'Wagner of the Lied'? Wolf as critic of Wagner and Wagnerism 3. Small things can also enchant us - Wolf's challenge to nineteenth-century views of song 4. 'Poetry the man, music the woman'? Wolf's reworking in his Morike songs of Wagner's aesthetics of words and music 5. The integrity of musical language - questions of form and meaning in Wolf's Goethe songs 6. The Wolfian perspective - comparisons with the songs of Strauss and Mahler Notes Bibliography Index.
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