Acknowledgements Note on the translation Introduction 1. Iskander's transparent allegory: Rabbits and Boa Constrictors 2. Beyond picaresque: Erofeev's Moscow-Petushki 3. Satire and the autobiographical mode: Limonov's It's Me, Eddie 4. The family chronicle revisited: Dovlatov's Ours 5. Dystopia redux: Voinovich and Moscow 2042 Conclusions Notes Select bibliography Index.
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