Introduction 1. Rosselini and realism: the trajectory of a career 2. L'uomo Dalla Croce: Rossellini and fascist cinema 3. Roma Citta Aperta and the birth of Italian neorealism 4. Paisa and the rejection of traditional narrative cinema 5. La Macchina Ammazzacattivi: doubts about the movie camera as a morally redemptive force 6. Viaggio in Italia: Ingrid Bergman and a new cinema of psychological introspection 7. Il Generale Della Rovere: commercial success and a reconsideration of neorealism 8. La Prise de Pouvoir Par Louis XIV: toward a didatic cinema for television 9. Back matter A. Footnaotes B. Chronology C. Filmography D. Selected bibliography.
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