Acknowledgements Introduction 1. Abstraction and empathy: the philosophical background in the socio-economic foreground 2. The poetics of Expressionist performance: contemporary models and sources 3. Schrei ecstatic performance 4. An 'Expressionist solution to the problem of theatre': Geist abstraction in performance 5. Late Expressionist performance in Berlin: the Emblematic mode Concluding observations Notes Select bibliography Index.
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