Introduction 1. An unexpected beginning: sex, race, and history in T. S. Eliot's Columbo and Bolo Poems 2. Mixing memory and desire: rereading Eliot and the body of history 3. Eliot, Eros, and desire: 'oh, do not ask, 'what is it?' 4. T. S. Eliot: writing time and blasting memory 5. Virginia Woolf, (auto)biography, and the Eros of memory: reading Orlando 6. Other kinds of autobiographies: sketching the past, forgetting Freud, and reaching the Lighthouse 7. Remembering what has 'almost already been forgotten:' where memory touches history Epilogue.
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