Introduction 1. American identities and the transatlantic stage Part I. Staging Revolution at the Margins of Celebration: 2. Revolution and unnatural identity in Crevecoeur's 'Landscapes' 3. British author, American text: The Poor Soldier in the New Republic 4. American author, British source: writing revolution in Murray's Traveller Returned 5. Patriotic interrogations: committees of safety in early American drama 6. Dunlap's Queer Andre: versions of revolution and manhood Part II. Coloring Identities: Race, Religion, and the Exotic: 7. Susannah Rowson and the dramatized Muslim 8. James Nelson Barker and the stage American native 9. American stage Irish in the Early Republic 10. Black theater, white theater, and the stage African Part III. Theatre, Culture, and Reflected Identity: 11. Tales of the Philadelphia theatre: Ormond, National performance, and supranational identity 12. A British or an American Tar? Play, player, and spectator in Norfolk, 1797-1800 13. After The Contrast: Tyler, civic virtue, and the Boston stage.
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