The Irish Writer and the World

ISBN: 9780521602570 出版年:2005 页码:345 Declan Kiberd Cambridge University Press

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The Irish Writer and the World is a major new book by one of Ireland's most prominent scholars and cultural commentators. Declan Kiberd, author of the award-winning Irish Classics and Inventing Ireland, here synthesises the themes that have occupied him throughout his career as a leading critic of Irish literature and culture. Kiberd argues that political conflict between Ireland and England ultimately resulted in cultural confluence and that writing in the Irish language was hugely influenced by the English literary tradition. He continues his exploration of the role of Irish politics and culture in a decolonising world, and covers Anglo-Irish literature, the fate of the Irish language and the Celtic Tiger. This fascinating collection of Kiberd's work demonstrates the extraordinary range, astuteness and wit that have made him a defining voice in Irish studies and beyond, and will bring his work to new audiences across the world.

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Alexei V. Lopez Enriquez

The scope of Kiberd'analisis is profound and wide. The nineteen esssays on Ireland's past, present and future's challenges contribute a lot in the understanding of the complex position of the esmerald island in the map of colonialism. From the ancient past of the celt to today's celtic tiger, the writer sheds light on the dilemmas and contradictions that shape Ireland. An excellent study for research on colonialism, postcolonialism and the Irish question. The innovative breath of the book is fostered by the myriad of references to the aforementioned fields of study.

John L. Murphy

Kiberd's always worth learning from--his scholarship combines rigor with breadth, accessibility with scope. This collection of his essays starts with a couple he wrote when he was about 28, a humbling achievement for the rest of us considering! Its 18 articles are accompanied by an introduction that places his academic explorations alongside the changing Ireland of the 80s-up to 2003. My favorites were the Irish-themed ones, and some of the selections keep more closely in pace with Irish literature than others that track Kiberd's comparative forays into more post-colonial and multicultural issues. He clearly seeks to travel alongside Edward Said in his own orientation (pun intended?) that considers the arguments of both revisionists and nationalists in their contesting the place of the British within whatever a native Irish culture could produce. The two are never separate, of course, and in his essay urging a dual Irish Studies curriculum, one grounded in both the Irish and English languages, his connection with both sides shows how necessary, and unfortunately how relatively rare, such a command of both literatures remains among scholars. Kiberd began his lectureship in Irish, only transferring to teaching English it seems, after the failure of this dual-track program to be established. His insistence upon the necessity to consider both languages and not to compartamentalize or ghettoize either one remains an essential warning in our increasingly fragmented educational arrangements not to lose sight of the other side of what for centuries has been a dual-language island. As he reminds us: the Irish were the only European people "who taught themselves English in their own country," and who chose--not always under direct coercion--to surrender their legacy of Irish for that of a more pragmatically necessary English, as most 19c Irish decided to do. (283-4) In a sustained and wide-roaming introduction reprinted here to his co-edited "The Flowering Tree" anthology of poems presented in both languages, he considers what since the mid-80s has only accelerated: Ireland as an open-air museum for "spiritual tourism," sold to both foreigners and the anglicized Irish themselves as a commodity rare and therefore more valuable than when a Gaelic-speaking Ireland actually existed. (118-9) This "war against the past," Kiberd studies, draws in everything from psychology to colonialism to revolution and rebellion and emasculation as Ireland, over its past century, struggles clumsily to grow up apart from Britain. There's lots for further thinking in these pages, and while some essays seem too discursive in their attempt to cover so much terrain within a few pages that occasionally they wander off on welcome but unnecessary digressions, this is a small fault for a diverse and intelligent volume of commentary.

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