Introduction Part I. Models and Methods: 1. Approaches and analogies 2. Subgenre, interpretation, and the generic repertoire 3. Fifteenth-century uses of the term 'motet' Part II. Motets in the Early Fifteenth Century: The Case of Bologna Q15: 4. The motet section of Bologna Q15 and its ramifying roots 5. A new hybrid subgenre: the cut-circle motet 6. Other new hybrid subgenres 7. The motet in the early fifteenth century: evolution and interpretation Part III. Motets in the Mid-Fifteenth Century: The Case of the Trent Codices: 8. Motets in the Trent codices: establishing the boundaries 9. English and continental cantilena-style motets 10. Motets with a tenor cantus firmus c. 1430-1450 11. Freely composed four-voice writing in transition 12. The four-voice motet c. 1450-1475.
{{comment.content}}