Preface Acknowledgments List of abbreviations Introduction: objects of consciousness in Conrad's impressionist world 1. Subject/object: science and the epistemological origins of literary impressionism 2. Objects and events in the 'primitive eye': the epistemology of objectivity 3. Other-like-self and other-unlike-self: the epistemology of subjectivity 4. 'Sudden holes' in time: the epistemology of temporality 5. Radical relativism, epistemological certainty and ethical absolutes: Conrad's impressionist response to solopsism and anarchy Epilogue Notes Selected bibliography Index.
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