Preface Acknowledgements List of abbreviations Part I. Historically Informed Performance in Music Criticism: 1. Joining the historical performance debate Part II. Historically Informed Performance and the Implications for Work, Composer and Notation: 2. Historical performance and 'truth to the work': history and the subversion of Platonism 3. Historical performance and 'truth to the composer': rehabilitating intention 4. Negotiating between work, composer and performer: rewriting the story of notational progress Part III. Historically Informed Performance within the Culture of the Late Twentieth Century: 5. Historical performance at the crossroads of modernism and postmodernism 6. 'A reactionary wolf in countercultural sheep's clothing?' - historical performance, the heritage Industry and the politics of revival Notes Bibliography Index.
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