E personality of Millet is a surprising one in the France of the nineteenth century. He seems to be a man belonging to another time, another race, a different form of thought. In French art he is a solitary, almost an alien. He was equally misunderstood by his admirers and his detractors. The former hailed him as the bold and truthful interpreter of the new democracy. The latter regarded him as a declaiming socialist who set before the.
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