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IN bringing before the reader a version of this amazing book, I wish, as in the case Of my edition of the Canterbury Tales, to disarm, if I can, the criticism of the scholar. My version is not intended in any sense for those who can read with ease the alliterative poems of the fourteenth or earlier centuries. Knowing, however, that it requires very careful study to read Piers Plowman with ease and pleasure, I have occasionally omitted and always simplified. I have tried to preserve and bring out the meaning, the careless alliteration, and the elusive rhythm. I have regularly modernised the spelling, and have indeed followed the example set by the most learned editor Of the poem, who has himself published a modernised text: indeed there are several of such texts in the market. This, as in the case of the Chaucer, is the whole of my offence. The specialist will find echoes from M. Jusserand and Professor Skeat everywhere.
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