----- 论无版权:盗版、出版及公共领域
This book reveals the impact of copyright law on transatlantic modernism in the United States. Key aspects of modernism-James Joyce's reputation in America, Ezra Pound's proposals for copyright reform, Samuel Roth's activities as a pirate-pornographer-are reexamined in the light of the U.S. law and the voracious public domain it created.
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