----- 心理过场动画:电影探索认知
Table of Contents Contributors Acknowledgments Preface Arthur P. Shimamura 1. Psychocinematics: Issues and Directions Arthur P. Shimamura Part I. Philosophical Foundations 2. The Viewer's Share: Models of Mind in Explaining Film David Bordwell 3. Cognitivism, Psychology, and Neuroscience: Movies as Attentional Engines Noel Carroll & William P. Seeley 4. Toward an Ecology of the Arts Joseph D. Anderson 5. The Affective Power of Movies Carl Plantinga Part II. Sensory and Attentional Features of Movies 6. Sensing Motion in Movies Katherine J. Thomson-Jones 7. Low-Level Features of Film: What They Are and Why We Would Be Lost Without Them Kaitlin L. Brunick, James E. Cutting, & Jordan E. DeLong 8. Truth, Lies, and Meaning in Slow Motion Images Sheena Rogers 9. Watching You Watch Movies: Using Eye Tracking to Inform Film Theory Tim J. Smith Part III. Knowledge, Imagination, and Narratives 10. Hollywood Storytelling and Aesthetic Pleasure Todd Berliner 11. The Art of Simplifying Events Stephan Schwan 12. Constructing Event Representations During Film Comprehension Jeffrey M. Zacks 13. Belief, Desire, Action, and Other Stuff: Theory of Mind in Movies Daniel T. Levin, Alicia M. Hymel, & Lewis Baker Part IV. Driving Emotions With Movies 14. How Cues on the Screen Prompt Emotions in the Mind Keith Oatley 15. E-Motion Pictures of the Brain: Recursive Paths between Affective Neuroscience and Film Studies Gal Raz, Boaz Hagin, & Talma Hendler 16. Emotion Regulation by Switching between Modes of Reception Monika Suckfull 17. The Empathic Animal Meets the Inquisitive Animal in the Cinema: Notes on a Psychocinematics of Mind Reading Ed Tan Index
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