----- 自主权小说:从怀尔德到德曼的现代主义
Contents Series Editors' Foreword Acknowledgments Introduction An institutional approach Aesthetic autonomy in practice and in philosophy Thee fictions of autonomy and their themes Modernist studies and the expanded field Autonomy from Labor In Service to Art for Art's Sake from Wilde to Proust Aesthetic autonomy? Our servants will do that for us Wilde: the truth of masks with manners Huysmans: the decadent master-servant dialectic Henry James: the subtlety of service Proust: service in the magic circle Aestheticist self-consciousness Autonomy from the Person Impersonality and Lateness in Eliot and Adorno Adorno's theory of impersonality Eliot's late style, 1910-1958 Four Quartets and musical lateness The late style and the intentional fallacy Expatriation as Autonomy Djuna Barnes, James Joyce, and Aesthetic Cosmopolitanism Nightwood: the luminous deterioration of cosmopolitanism French nights and the artist's lifestyle Wandering Jews, wandering Americans "Vagaries Malicieux": losing all connection at the Deux Magots Stephen Dedalus's hat Literature without External Reference Tautology in Wallace Stevens and Paul de Man The aesthete is the aesthete The Academy of Fine Ideas: Stevens and de Man in the university De Man, modernism, and the correspondence theory The sound of autonomy The plain sense of tautology Epilogue: Autonomy Now Autonomy, literary study, and knowledge production Autonomy abroad: proliferation on the world stage The truth about fictions of autonomy Index
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