----- Josquin罗马:西斯廷教堂的听力与写作
Table of Contents Introduction Part I. Toward Josquin's Style Chapter 1. Methodological Minefields Chapter 2. An Obsessive Compositional Personality Part II. Surveying the Soundscape. The Cappella Sistina, ca. 1480-ca. 1500 Chapter 3. The Repertory Chapter 4. The Lingua Franca Chapter 5. A Maximalist Musical Mind: Marbrianus de Orto Part III. Josquin's Roman Music in Context Chapter 6. Super voces musicales and the L'homme arme Tradition Chapter 7. Intersections and Borrowings Appendix A. Music Copied into Cappella Sistina Manuscripts before ca. 1500 Appendix B. Contents of VatS 14 and 51 Appendix C. Related Repertories: VerBC 761, BarcOC 5, and VatSP B80 Appendix D. Three Anonymous Da pacem Motets Appendix E. Five Canonic Hymn Settings
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