Global Art Cinema —— New Theories and Histories

----- 全球艺术电影院：新理论和历史

ISBN: 9780195385625 出版年：2010 页码：409 Oxford University Press

Foreword Dudley Andrew Introduction The Impurity of Art Cinema Rosalind Galt and Karl Schoonover 1. Delimiting the Field Beyond Europe: A Parametric Tradition? Mark Betz The Fantastic Trajectory of Pink Art Cinema From Stalin to Bush Sharon Hayashi Towards an Inclusive, Exclusive Approach to Art Cinema David Andrews Unthinking Heterocentrism: Bisexual Representability in Art Cinema Maria San Filippo Interactive Art Cinema: Between "Old" and "New" Media with Un Chien andalou and eXistenZ Adam Lowenstein 2. The Art Cinema Image Art/Cinema and Cosmopolitanism Today Brian Price Between Auditorium and Gallery: Perception in Apichatpong Weerasethakul's Films and Installations Jihoon Kim Pasolini's Exquisite Flowers: "The 'Cinema of Poetry'" as a John David Rhodes From Index to Figure in the European Art Film: The Case of The Conformist Angelo Restivo Surrealism in Art and Film: Face and Time Angela Dalle Vacche 3. Art Cinema Histories The Volcano and the Barren Hill: Gabriel Figueroa and the Space of Art Cinema Patrick Keating The Essay Film as a Cinema of Ideas Timothy Corrigan The Cloud-Capped Star: Ritwik Ghatak on the Horizon of Global Art Cinema Manishita Dass Notes on Art Cinema and the Emergence of Sub-Saharan Film Philip Rosen Disentangling the International Festival Circuit: Genre and Iranian Cinema Azadeh Farahmand 4. Geopolitical Intersections European Art Cinema, Affect, and Post-colonialism: Herzog, Denis, and the Dardenne Brothers E. Ann Kaplan Offering Tales They Want to Hear: Transnational European Film Funding as Neo-Orientalism Randall Halle Abderrahmane Sissako: Second and Third Cinema in the First Person Rachel Gabara Tsai Ming-liang's Haunted Movie Theater Jean Ma Traveling Theory, Shots, and Players: Jorge Sanjines, New Latin American Cinema, and the European Art Film Dennis Hanlon Critical Bibliography Notes on the Contributors