----- 我们会重逢:斯坦利·库布里克的电影音乐设计
Preface Acknowledgements List of Illustrations Introduction PART I THE ANATOMY OF THE KUBRICK SOUNDSCAPE 1 Language, Lyrics, Voice and Sound 2 Drawing Lines and Crossing Borders: Musical Climates, the Diegetic-Nondiegetic Border and Voice-Over Narration PART II MUSIC-CINEMATIC TOPICS 3 Mysterious Music with Invisible Edges and The Emergence of Musical Form in The Shining 4 Reimagining Music in Barry Lyndon 5 The Mutual Inscription of Music and Drama PART III WE'VE MET BEFORE: FAMILIAR PIECES AND THEIR HISTORIES 6 Evolution and Amnesia in the Soundtrack of 2001: A Space Odyssey 7 Musical Dialectics and The More Troublesome Beethoven 8 Kubrick's Spin on Max Ophuls and the Ineluctable Waltz Coda Select Bibliography Index
{{comment.content}}