----- 电影、艺术和第三文化: 电影中的归化美学
In this overview of my recent book, I outline its main themes, questions, and arguments. Part 1 explores the applicability of philosophical naturalism to aesthetics and the arts. Searching for the principles that might undergird a naturalistic or âthird culturalâ approach to the arts, I defend a model of âtriangulationâ that seeks consilience among phenomenological, psychological, and neurophysiological evidence and that relates to two further strategies: âthick explanation,â combining personal and âsubpersonalâ levels of analysis, and âtheory construction,â conceived as an empirically oriented alternative to conceptual analysis. Part 2 examines emotion in the arts and in film as a relevant and fertile territory for a naturalized aesthetics, in relation to Charles Darwinâs account of the expression of the emotions, niche construction, and the theory of the âextended mind.â
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