----- 电影看小说:电影认识论
PART I: INTRODUCTORY CHAPTER GENERAL INTRODUCTION 1. NARRATIVE AND NARRATION: SOME RUDIMENTS PART II: NARRATIVES AND NARRATION 2. LE GRAND IMAGIER STEPS OUT: ON THE PRIMITIVE BASIS OF FILM NARRATION 3. THE IMAGINED SEEING THESIS 4. LE GRAND IMAGIER IN REVIEW PART III: NARRATORS: IN LITERATURE AND FILM 5. ELUSIVE NARRATORS IN LITERATURE 6. ELUSIVE NARRATORS IN FILM PART IV: STRATEGIES OF FILM NARRRATION: POINT OF VIEW 7. TRANSPARENCY AND TWIST IN NARRATIVE FILM 8. THE TRANSFIGURATION OF CLASSICAL HOLLYWOOD NORMS: ON VON STERNBERG'S LAST FILMS WITH DIETRICH 9. LOVE AND BULLSHIT IN SANTA ROSA: PASTICHE IN THE COEN BROTHERS' THE MAN WHO WASN'T THERE BIBLIOGRAPHY
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