----- 宙斯的混乱的路:和其他希腊悲剧里和周围的研究
Introduction 1. The titles of Greek dramas 2. Violence in Greek drama 3. Adolescence, ephebeia, and Athenian drama 4. Sherlockismus and the study of fragmentary tragedies 5. The seniority of Polyneikes in Aeschylus' Seven 6. The beginning and the end of Aeschylus' Danaid trilogy 7. The theatre audience, the Demos, and the Suppliants of Aeschylus 8. Sleeping safe in our beds: stasis, assassination, and the Oresteia 9. The tangled ways of Zeus 10. The omen of Aulis or the omen of Argos? 11. Pathos and mathos before Zeus 12. Oresteia Act II: two misconceptions 13. Aeschylus' epitaph 14. Dearest Haimon 15. 'They all knew how it was going to end': tragedy, myth, and the spectator 16. Alternative scenarios in Sophocles' Electra 17. Sophocles' Palamedes and Nauplius plays: no trilogy here 18. 'The rugged Pyrrhus': the son of Achilles in tragedy 19. What ought the Thebans to have done?
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