----- 电影,哲学,伯格曼
Introduction Illustrations PART ONE: SURVEYING CINEMA AS PHILOSOPHY 1. Theses on cinema as philosophy 2. Arguing over cinema as philosophy PART TWO: AN INTENTIONALIST APPROACH TO FILM AS PHILOSOPHY 3. Types of authorship in the cinema 4. Partial intentionalism PART THREE: ON INGMAR BERGMAN AND PHILOSOPHY 5. Bergman, Kaila, and the faces of irrationality 6. Value, authenticity, and fantasy in Bergman Conclusion
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